159 results where found for «Words for Julia»


Saint Gregory’s Tonada (Tonada San Gregorio)

Music piece by:
Pedro Humire Loredo
Testimony by:
Pedro Humire Loredo
« This tonada recalls the horrible situation I was subjected to in the cells of the police station in the San Gregorio district in southern Santiago. »
[...]
«  Day when the Chilean armed forces led by Augusto Pinochet overthrew President Salvador Allende. »
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Captive Quena (Quena cautiva)

Music piece by:
Claudio Durán Pardo
Testimony by:
Claudio Durán Pardo
Experience in:
Campamento de Prisioneros, Tres Álamos, September - December 1975
« I first laid my hands on a quena when I was nine years old. It was resplendently fragile and lyrical. My passion for this instrument was immediate, or rather, the quena chose me. »
[...]
«  (1908-1973) Socialist President of Chile from 1970 to 1973. He was overthrown by Augusto Pinochet’s military forces in 1973. »
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Return, Return (Volver, volver)

Music piece by:
Fernando Z. Maldonado. Popularised by Vicente Fernández
Testimony by:
Jorge Montealegre Iturra
« At the Chacabucan artistic shows, Hugo sang tangos, including 'Volver' (Return) by Gardel and Le Pera. »
[...]
«  (1908-1973) Socialist president of Chile from 1970 to 1973. He was overthrown by Augusto Pinochet’s military forces in 1973. »
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South-Eastern Storm (La Sudestada)

Music piece by:
Poni Micharvegas
Testimony by:
Luis Alfredo Muñoz González
Experience in:
« While I was in solitary confinement in Cuatro Álamos, one day I noticed there was a large room at the end of the corridor, which, overnight, the dinos had filled with prisoners. »
[...]
« At the end of the day, these comrades organised quite a 'jamboree': talking, sharing information, asking questions and singing. It was a frenetic activity of solidarity, support, courage and warmth. »
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The Paper Boat (El barco de papel)

Music piece by:
Julio Numhauser, popularised by the band Amerindios
Testimony by:
Carlos Muñoz
Experience in:
« One of the most important songs in the detention centres. Impossible to count how many times we sang it. Every time someone was released from a detention camp or there was credible information that a person would be sent into exile, a gigantic chorus would sing this song, in a powerful unison. No one could possibly forget it. Especially significant at Tres Álamos, as this was the “exit” camp. »
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Free (Libre)

Music piece by:
José Luis Armenteros and Pablo Herrero, popularised by Nino Bravo.
Testimony by:
anonymous
Experience in:
« While waiting in the grandstands to be interrogated for the first, second or more times, we would sing 'Free' to those who were being lined up to be released. 'Free' was a catharsis, a mixture of joy for those who were going and hope for those of us left behind. Unfortunately, the dictatorship and its civil and military henchmen employed the song for their own propaganda. »
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Tacit Song (Canción tácita)

Music piece by:
All the women present at that moment in Chacabuco
Testimony by:
Mónica García Cuadra
Experience in:
« I am the daughter of a former political prisoner who spent a long time imprisoned at Chacabuco, among other places. I am Monica, a little 9-year-old girl who travelled with a heavy heart full of sadness to visit her father, Gerardo García Salas, held at the Chacabuco concentration camp. I am an only child and in my young life, he is my sole reference point and, in essence, my image of masculinity. »
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The Vargas War (La guerra de los Vargas)

Music piece by:
Celestino Carrasco
Testimony by:
Luis Cifuentes Seves
Experience in:
Campamento de Prisioneros Chacabuco, November 1973 - February 1974
« This old Venezuelan song, written by an unknown songwriter, and that has had many variations, was performed by Los de Chacabuco in during the camp’s weekly show. »
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We Shall Prevail (Venceremos)

Music piece by:
Claudio Iturra (lyrics) and Sergio Ortega (music)
Testimony by:
Lucía Chirinos
Experience in:
« The parish priest at Buen Pastor played the accordion. He played so beautifully. Because I played the piano, I asked him if I could borrow it. 'I'll lend it to you' he said. »
[...]
« I quickly started playing the first chords of the National Anthem. We were singing loudly 'How pure, Chile, is your blue sky'. We sang with force and courage. »
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Free (Libre)

Music piece by:
José Luis Armenteros and Pablo Herrero, popularised by Nino Bravo.
Testimony by:
Guillermo Orrego Valdebenito
« This song was performed in the Stadium grandstands by a worker from the Madeco factory: Peineta Vasquez, winner of a Song Festival that was organised at grassroots level, during the times when we were allowed to leave the spaces under the grandstands, inside the stadium,  to sunbathe, together with women from various countries, before they got sent off to the pool area. »
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